My Pedagogical Approach

Grounded in Paulo Freire’s Pedagogy of the Oppressed and in August Boal’s Theater of the Oppressed didactic approaches, I use critical-thinking theories to promote self-awareness, critical consciousness, and critical thinking among myriad audiences, including students, professors, visual art viewers, and theatergoers. I consider the streets, the market, the town square, the classroom, the gallery walls, and the theater stage as environments for developing critical consciousness (conscientização). Critical Consciousness is our innate capacity and curiosity to learn about the political and socioeconomic issues that influence our development as human beings.

In order to encourage the development of critical consciousness, I use didactic techniques from popular education to develop skills for social justice practice. I often use art forms as the centerpieces of discussions on historic and contemporary oppression of minoritized groups. I am also guided by self-healing strategies to enhance the pursuit of social justice. My approaches equally value indigenous, scientific, and popular knowledge as I envision teaching as a critical dialogue between student and instructor. I use embodiment, tactile exercises, physical movements, drawings, and dramatization to help students develop skills to advocate for social justice and to heal themselves. I use these techniques to engage and sustain transformative conversations regarding oppression, bigotry, white supremacy, and all isms.

Below I share information on courses I have taught in the last few years. I also share some independent study and doctoral projects on which I have acted as advisor or mentor, helping students integrate art into social justice practice and self-healing, and/or mentoring around art-based and artistic research.

2025

2025

2025

2024

2024

2024

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@2025 All rights reserved. Web developed by Mia Xi
Rogério Meireles Pinto @2025 All rights reserved.
Web developed by Mia Xi
@2025 All rights reserved. Web developed by Mia Xi